Employers spend an average of just 30 seconds scanning each job resumé. If you don’t make an immediate positive impression, you won’t get called in for an interview.
The same half-minute scan holds true for your fiction. One page is all you have to hook an agent or editor and entice them to keep reading. Without a strong voice, a compelling hook and sharp writing, you’re doomed for a swim with the slushies.
It therefore makes sense to attend a first page critique. The neighborhood kids may giggle over your tale, your friends might deem it wonderful, and your critique partners may even bless it as ready for submission. But a professional opinion is your best literary litmus test.
A professional first page critique can answer these questions:
- Is your writing appropriate for the genre? Does the voice match the target age range? Is your picture book too wordy; is your…
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If you want to publish a book for children, the first thing you must do is ask yourself why.
Is your motivation to publish a kid’s book one of the following?
- Your kids/grandkids/nieces/nephews/neighbors/students love a story you’ve written.
- It would be fun to see your name in print.
- You want to sign autographs.
- You want to make money, quickly.
- You want your artist cousin/sister/friend to illustrate it.
If you answered “yes” to any of the above, please read this post. I write this to save you a lot of time and frustration. Because it’s not an easy business. NOT. EASY. AT. ALL.
New writers often believe they can pen one story in an hour or two, never revise it, yet somehow land an agent and a publishing deal—-as if the simple act of writing begets publication.
Hitting one baseball does not mean the Yankees will draft you. Likewise, writing…
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