Diverse Kids Books–Reviews

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Everywhere Babies by Susan Meyers

cover of Everywhere BabiesThis sweet board book is a like a buffet of babies charming both children and adult readers. The author, Susan Meyers, and the illustrator, Marla Frazee, celebrate baby’s first year of life beginning with swaddled newborns, through all the late night rocking and feeding, into the crawling and playing, exploring life all the while and ending with a cake-covered baby on the first birthday. It is very clear Meyers and Frazee spent a lot of time just watching babies and families. It is also unmistakable they had a message when writing this book—diversity is joyful. We see light-skinned hands lifting a dark-skinned baby and a light-skinned baby reaching out for dark-skinned hands. We hear that babies can be fed “by bottle, by breast, with cups and with spoons.” We see two moms, single parents, two dads, twins, a variety of body shapes and sizes, grandmas and grandpas, and many combinations of skin tone. This book really is the I Spy of family diversity, so the reader will have no problem finding a picture that resembles himself and his family.
The one criticism I have for this book is we do not see any persons with physical disabilities. There is one grandmother holding a baby on her knee while her cane rests beside her, but no obvious example of a child or parent with a disability. We see babies crawling and one baby learning to walk, but it would have been lovely to have seen a child with a walker or braces on her legs. Beyond that, I have nothing but glowing remarks for this book. It is an old favorite of ours and my go-to present for 1-year olds, given that it ends with a birthday party. The closing of the book also speaks to me personally as the mother of an internationally adopted child. “Every day, everywhere, babies are loved—for trying so hard, for traveling so far, for being so wonderful… just as they are!” This simple inclusion of “traveling so far” always made me and my child feel as if the story was hers.

Recommendation: I highly recommend this book for ages 9 months to 3 years. It deserves a place on every book shelf in every home and every place of learning.


Book Reviewer: Amanda Setty

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Documentary Film –“Off and Running: An American Coming of Age Story” by Avery Klein-Cloud and Nicole Opper

Cover for Off and RunningSpanning two years in the life of high school track star, Avery Klein-Cloud, this is the documentary of her journey to reconnect with her birth mother. New Yorker Avery Klein-Cloud is the African American daughter of two white Jewish mothers and sister to two brothers –one Korean and the other African American and Puerto Rican. The documentary opens with Avery reaching out to her birth mother and in a heart wrenching, emotional journey of attempting to balance living a high performer’s daily life with hoping to fill in the voids of her identity, we watch Avery struggle with both of her families, school, and a new found Black awareness as part of her personal self-knowing. At the risk of spoiling, this film is a testimony to the power that love and raising a child with all possible social, familial, and educational advantages have to make sure that those who lose their way make it back home.


I highly recommend this film for everyone and definitely for transracial families and soon-to-be transracial adoptive parents.


Available on Netflix , Shop PBS, and Amazon.

–Transracial Adopted Child (African American/Jewish)

Recommendation: Highly Recommended
Reviewer: Omilaju Miranda

Felicia’s Favorite Story by Leslea Newman

Felicia's Favorite Story by Leslea NewmanThis is a simple story that demonstrates a girl’s self-knowledge and love of her own familial history. It’s Felicia’s bedtime and before she goes to sleep she wants a story but not one from a book—in classic, creative recognition of a young child’s vanity, Newman has Felicia ask her mom to tell her a story instead of reading her a story—the story of her adoption. Felicia and her moms become a family through an at-birth adoption in which New York native Mama Nessa and Puerto Rican native Mama Linda travel to Guatemala to bring Felicia home .
As her Mama Linda tells her the story, Felicia interrupts, often inserting her humor and her own retelling of the story into her mother’s narrative. Felicia isn’t the only one with humor as her mothers join in with humor of their own which includes ponderings of why they didn’t adopt certain animals instead of a child and stories of how they chose Felicia’s name. If you have an expressive child, you and your child will see their quick wit and self-indulgence in the character of Felicia and you and your significant other in the bargaining, nurturing ways of Mama Linda and Mama Nessa. Adriana Romo’s illustrations look like paintings; Romo even frames them in borders that refer to Latin American cultural art, pulling the reader in as admiring observer as well as reader.

Recommendation: Highly Recommended; Ages 4+

Reviewer: Omilaju Miranda

In Our Mothers’ House by Patricia Polacco

In our mothers house coverThis is one of the best first person narrative children’s books I’ve ever read. The voice is so authentic I thought it was a children’s nonfiction story until I read the back bookflap. An African descendant woman tells the story of her life with her two mothers, Asian brother and carrot-top sister from their at-birth adoptions until their parents pass away, leaving the family home to the protagonist’s brother. Polacco’s narrative style is one of such candor and fluidity that as the protagonist shares with us the milestones of her life from becoming a big sister to seeing her mothers in dresses for the first time to finding emotional comfort in the home after her parents pass away , the reader is increasingly emotionally invested in their ever expanding world of friends, family and tradition. Polacco also includes the conflict of an anti-gay neighbor in the book, who turns the dial up on that confrontational anti-gay anger pretty high without actually saying “lesbian, gay, or homosexual.” The mothers handle the confrontation in a protective and reassuring manner that gives parents reading this book with children the freedom to explain as little or as much about sexual orientation as parents wish, including saying nothing about sexual orientation and just explaining that sometimes people don’t like others who are different. Illustrated with engaging animation and expressiveness, readers will see and feel a full spate of emotions as we do in real life. While the mothers demonstrate friendly touch affection towards each other and familial touch affection toward the children, for some, it will be important to see that the three children enter heterosexual marriages, framed in family portraits near the end of the book. The choice to show the oldest daughter and the son married to people within their “own” racial groups, demonstrates to me a silent acknowledgement of efforts made by the Italian and English-Irish mothers to encourage, support and preserve their children’s unique cultural identities. Complete with three children who grow up to become successful professionals with happy families of their own, In Our Mothers’ House is the multi-dimensional All American LGBT-parent family story.

Recommendation: Highly Recommended; ages 6+

Reviewer: Omilaju Miranda

Molly’s Family by Nancy Garden

cover for Molly's FamilyKids don’t bite their tongue and with the blunt challenge of a six-year-old, Nancy Garden starts this story in which the protagonist, Molly responds verbally and emotionally to her classmate telling her that she can’t have the two mothers that she has drawn as part of her family make up. Molly’s mothers are her birth mother and adoptive mother (which is an important distinction in this category of books that have a strong representation of families made through adoption instead of one of the partners giving birth) but Molly doesn’t know those facts until later in the story when her mothers explain that to her . The teacher and a couple of Molly’s classmates are sympathetic to her hurt feelings and discomfort. Following the incident in the classroom, the teacher and then both of Molly’s mothers explain to her that the family you have is the family that is both possible and real. But the issue is not solved for Molly with these affirmations; she is still unsure of the validity of her two mother family, she is aware of her difference and has lost her confidence which is demonstrated by her leaving the drawing of her family at home on the 2nd day of the story. In a believable parallel with the process children whose home culture is significantly different from the societal norm go through to move from shame and insecurity to validation and acceptance of their families, it is only when the teacher tells Molly again that a child can have two mothers that Molly finally opens up to observing the ways that others are different and her family is real. Realistic illustrations and believable dialogue strengthen this story that gives a child of gay parents an understanding of their validity and other children an understanding of how families differ and live in harmony.

Recommendation:  Highly Recommended; ages 5+

Reviewer: Omilaju Miranda

Heather Has Two Mommies by Leslea Newman

cover Heather Has Two MommieA book review page that gives pointed attention to lesbian and gay parent led families can only be complete with a review of this classic book which was the first book ever published in the United States featuring a daughter of two mothers. Out of print now, you will either find this book at your library or buy it through a used bookseller (used copies start at $13; new copies start at $29 plus shipping). The story is a straightforward narrative introducing the reader to Heather and her family, which includes her, her two mommies, a cat and a dog. When she goes to daycare, Heather learns that not having a dad is weird, which saddens her to the point of tears. The teacher and other children are sympathetic and discuss how their families have different relationships with father figures as well, from not having a father, to having two daddies, or grandparents as primary caregivers. The black and white pencil drawings add poignancy and depth to the story. Children and adults will also be drawn into the attention given to children’s participation and representation of their world as the children’s drawings of their families are shown to the reader. The text and illustrations evocatively portray the universal vulnerability of children in the face of feeling like an outsider, their dependency on parental love and the neighborly generosity they express when coming from loving homes.

Recommendation: Recommended; ages 3-8

Reviewer: Omilaju Miranda

A Tale of Two Mommies by Vanita Oelschlager

cover  A Tale of Two MommiesAll dialogue, this rhyming book is a conversation between the adopted son of two others and his friends while the protagonist and his friends play on the beach. As they run, play ball, swim, and have other beach fun, the questions and answers volley in sets of two. “Which mom is there when you want to go fishing? Which mom helps out when Kitty goes missing?” “Mommy helps when I want to go fishing, Both mommies help when Kitty goes missing.” The narrative continues in such a trajectory until it includes answers in which the protagonist says he is the one doing certain things. This is a full portrait of the emotional and activity life of a family from the perspective of a child who is increasingly taking on responsibilities. The child happens to be the African-Descendant child of two white moms but that is not discussed. This is a story with which every child who has taken note of how their parents nurture and mentor them, can identify.

Recommendation: Recommended; ages  Ages 2-8

Reviewer: Omilaju Miranda