Diverse Kids Books–Reviews

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Perfect Lil Blends by Luke Whitehead

cover for Perfect Lil BlendsPerfect Lil Blends: A Reality Book that Celebrates the Diversity  of Multicultural Children  is like a series of love letters from parents to their children accompanied by their children’s portraits. Compiled by Luke Whitehead, the founder of Mixed Nation, this is a photo essay of children of mixed heritage from almost every racial, cultural, and ethnic background. Yes, most of these children are exceptionally beautiful however, similar to, but more personal than, Kip Fulbeck’s photo essay book Mixed, each photo of a child is accompanied by a description of the child’s life interests and a note of dedication from the parents to the child, making this more than a vanity book of portraits. (more…)

Diversity Children’s Books Website is Live

Mixed Diversity Children’s Book Reviews is officially a website:  http://mixeddiversityreads.com/.

Book Review Categories Pic for mixed diversity book review page (1024x701)The Website, which founder Omilaju Miranda began as a page on facebook is now a full website with blog where you can find books with diverse protagonists by specific category. Books are easily locatable on a drop down menu. The site is dedicated to listing and reviewing children’s and YA books with protagonists who are either: biracial/mixed, transracial adoptee, bilingual, lgbt-parented, single-parented, or gender non-conforming. There is also a magazine where the site will feature writing for, and by children, and an opportunity for parents to send in photos and videos of their children reading or reciting stories and poems. Check out the book site and find the book for your little one today. If you are a writer or interested in communications and publicity, the site is actively seeking children’s book reviewers and interns to publicize and network with schools and libraries.

My Hair is So Happy by Nik Scott

cover for My Hair is So HappyI thought any little girl with curly hair would love seeing images similar to herself in this book. My first response when I read it was “I love these illustrations.” As I read, it was exciting to see four girls representing nearly the full spectrum of skin tones and hair textures found amongst African Diaspora and African Diaspora mixed heritage kids. The writing makes a well-intentioned commitment to reforming the language of curly hair from “nappy” to “happy”. There is no story here though and no character-based reasons for a child to attach to any of these characters. Many will find it disconcerting that, in a book that seems to celebrate unity and self-love, the characters are participating in a beauty contest. Although they are all wearing tiaras and “Lil’ Miss Curly” sashes, we all know that competition means someone must be judged better or more beautiful than the other. Also, depending on one’s beliefs, there is language of being “fearfully” made that may be inexplicable to your children. When I read the book to my three-year-old, she asked why the girl was happy, was more interested in the dog in the illustrations and started chanting “My Hair is So Angry.” If I were a child psychologist I would analyze my daughter’s responses and offer insight into how other little girls might respond to this book but I’m not. As a reader and writer, I say the illustrations in this book offer images showing girls enjoying all aspects of life while leaving their hair curly and parents can create many conversations based on these images.

Recommendation: Recommended. We rarely see these many representations of different types of curly-haired children on the page and these girls are also happy and happy about their hair so if that is valuable to your little one, buy the book.

Book Review by Omilaju Miranda.

All the Colors of the Earth by Sheila Hamanaka

cover for All the Colors of the EarthPoetically, the children of this book become the natural bounty of the earth, their skin color and hair textures compared to the beautiful colors of nature and hair compared to the textures of other living creatures.
With typical sentences/stanzas like,
“Children come in all the colors of the earth—
The roaring browns of bears and soaring eagles,
The whispering golds of late summer grasses,
And crackling russets of fallen leaves,”
a child is able to glean a confidence-inspiring insight into their physical look. This is a beautifully illustrated book that lives up to the lyrical poetry of its narrative. The illustrations go far beyond the normal representation of the human rainbow and, with very detailed rendering of facial characteristics, skin complexions and hair textures, the reader sees real differences in many, many different ethnic types. On the pages of this book, children of every ethnic heritage will find reflections of themselves enjoying life and the world around them. While every physical type of child is represented in ‘All the Colors of the Earth,’ only interracial families are represented, which I think is an exceptional and novel choice however disappointingly inconsistent with the universal inclusiveness of the other illustrations.


Recommendation: Highly Recommended; Ages 3+
Book Review by Omilaju Miranda.

Everywhere Babies by Susan Meyers

cover of Everywhere BabiesThis sweet board book is a like a buffet of babies charming both children and adult readers. The author, Susan Meyers, and the illustrator, Marla Frazee, celebrate baby’s first year of life beginning with swaddled newborns, through all the late night rocking and feeding, into the crawling and playing, exploring life all the while and ending with a cake-covered baby on the first birthday. It is very clear Meyers and Frazee spent a lot of time just watching babies and families. It is also unmistakable they had a message when writing this book—diversity is joyful. We see light-skinned hands lifting a dark-skinned baby and a light-skinned baby reaching out for dark-skinned hands. We hear that babies can be fed “by bottle, by breast, with cups and with spoons.” We see two moms, single parents, two dads, twins, a variety of body shapes and sizes, grandmas and grandpas, and many combinations of skin tone. This book really is the I Spy of family diversity, so the reader will have no problem finding a picture that resembles himself and his family.
The one criticism I have for this book is we do not see any persons with physical disabilities. There is one grandmother holding a baby on her knee while her cane rests beside her, but no obvious example of a child or parent with a disability. We see babies crawling and one baby learning to walk, but it would have been lovely to have seen a child with a walker or braces on her legs. Beyond that, I have nothing but glowing remarks for this book. It is an old favorite of ours and my go-to present for 1-year olds, given that it ends with a birthday party. The closing of the book also speaks to me personally as the mother of an internationally adopted child. “Every day, everywhere, babies are loved—for trying so hard, for traveling so far, for being so wonderful… just as they are!” This simple inclusion of “traveling so far” always made me and my child feel as if the story was hers.

Recommendation: I highly recommend this book for ages 9 months to 3 years. It deserves a place on every book shelf in every home and every place of learning.


Book Reviewer: Amanda Setty

I Don’t Have Your Eyes by Carrie A Kitze

I Don't Have Your Eyes by Carrie A KitzeWritten with transracial adoptee children in mind, this book, with a series of lyrical statements, contrasting the differences in the physical appearances of children’s and parents’ body parts to the emotions, attitudes , and life perspectives associated metaphorically with the physical, sensorial, or functional purpose of the body part, communicates the conscientious and humane value system that parents teach and transfer to their children with such fluidity and beauty that you feel the text bringing you and your child closer and helping your child see the best in themselves and their depthful connection to you. In no cheesy, but a substantial, poetic, non-didactic prose, the book really conveys that who we are and who we help each other grow to be inside is what is valuable and what makes us family. The illustration is beautiful, realistic and includes illustrations of many different parent-child racial pairings including parents and children who share the same race but obviously different features so it doesn’t have to read as a book about “all of us racially different kids”; a child walks away from this book understanding that no one looks exactly like their parents but the loving way we navigate in the world is the offspring of our parents way of raising us.

Recommendation: Highly Recommended; Ages 4-12

Book Reviewer: Omilaju Miranda

More More More Said the Baby—Three Love Stories by Vera B. Williams

Cover for More More More said the BabyI didn’t really enjoy this book but I seem to be the only one. It was a Caldecott Honor Book in 1990 and my 3-year-old daughter got in to touching her own belly button during the part where “Little Guy’s” father is kissing his belly button. I may have found this book more engaging if I’d discovered it for my child when she was an infant or early toddler. This is one of Vera B. Williams’ books that exists for the illustrations and not the written narrative. There are three short stories in this book—stories that illustrate three different children receiving affection from their caretakers. The copyright page explains that the book is based on the gouache paintings and as I read it, the narrative was so thin, in my opinion, that I felt the words were just put on the page to justify putting a multicultural children’s book on the shelf but that was 23 years ago and one of the first, if not only Caldecott honor books with interracial families.

So what exists that is multiculturally relevant? There is a lone father caretaker of a child, there is a Caucasian grandmother caretaker of a child of multiracial African descent, and there is a brown-skinned mother of a light-skinned Asian child. The challenge with the Gouache paintings is a lack of defined detail. My daughter thought that “Little Guy” was a girl who didn’t like her father and, while we suspected that the grandmother was Caucasian, my grandmother upon reading it wasn’t sure—the way the features are drawn, she could just as easily have been a light-skinned woman of color. Similarly, I do not know whether the mother with daughter is supposed to be a brown-skinned Asian sharing her daughter’s ethnicity or a woman of a different ethnicity or race. In an interview I can’t find right now, Williams says that she wrote the book to fill the void of in the children’s books market with interracial families so having read that interview, I’m certain the grandmother is Caucasian. You may find the last painting uncomfortable as a child is splayed in a way that is a little exposing—my daughter asked if the girl had on shorts under her dress. What is clear is that readers can definitely see that families are composed of a rainbow of people. Since this is a book about relationships between familial adults and children, without couples or references to two parents, this is a book that can definitely reflect and validate single parent and alternative guardian families.

Recommendation: Valuable to have in your book collection; Ages 0-4

Reviewer: Omilaju Miranda