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This holiday time picture book about Nick Cannon and Mariah Carey’s twins celebrating Christmas caught my four-year-old daughter’s eye in the late morning after breakfast. The book was sitting on my dining room table waiting for me to review it when my daughter opened the front cover and immediately focused on the photograph of the Cannon/Carey family on the end cover page. (more…)
Nella Larsen’s 1929 novel Passing tells the moving story of a young black woman who decides to pass for white, and the story ends with the woman falling or being pushed out of a window to her death. Heidi Durrow has said that Larsen, who, like Durrow, is half black and half Danish, is one of her literary heroes, and the mother of the main character in Durrow’s 2011 bestseller The Girl Who Fell from the Sky is named Nella. Durrow’s Nella has a daughter, Rachel, who is half Danish and half black, and it is this girl, Rachel, whose story is related in The Girl Who Fell from the Sky. Hers is a story that offers homage to Nella Larsen’s work, as well as bears witness to an actual story that Durrow read about, a recent true story of a mother who fell, or jumped, from the top of a building while holding her children; only a daughter survived. (more…)
I fell in love with this book the moment I saw it. The cover itself featuring the entire Loving family in a close embrace, seemingly on Dad’s lap as Mom and Dad exchange a gaze as warm as a hug, emanates warmth and makes me feel a sense of strength and belonging. Right now I let my four-year-old interpret the illustrations and make her own story but I have cleared a center space on one of our bookshelves to present this book and look forward to the day when I will read my daughter the words. Written and illustrated by an interracial wife and husband team—Selina Alko and Sean Qualls— who include their own short bio of being an interracial couple at the end of the book, the narrative weaves the sensitive story of the Loving family from the perspectives of Mildred, Richard, and their children with the harsh facts of U.S.America’s racial history. While the narrative portrays some aspects of the love story between Mildred and Richard, as children read the images and/or words of this picture book, they will connect with the Loving children through the cozy illustrations and narrative lines like “Donald, Peggy, and Sidney had two parents who loved them, and who loved each other.” The third person omniscient narrative voice switches from the children’s perspective to the parents’ to a compassionate voice detailing as delicately as possible, the disturbing realities of Reconstruction Era, Jim Crow, and other racist laws of United States’ history. (more…)
A Dance Like Starlight: One Ballerina’s Dream follows the aspirations of one little girl in Harlem in the 1950s. Told in lyrical prose, the reader learns that the unnamed African-American girl spends her afternoons dancing backstage at the dance school her mother works at. She spends her evenings wishing upon unseen New York stars for a dream most consider unthinkable during this era. Still, every single day she practices her pliés and chassés with fervor.
One day, her backstage routine catches the eye of the Ballet Master himself. He invites her to join in on a daily lesson with the white girls in the class (in the back row), although she’ll never be able to perform onstage with them. Since joining the class, she pushes herself harder to be the best ballerina she can be. And whenever she’s asked to demonstrate a movement for the whole class, the little girl thinks for a fleeting moment that even a “colored girl like me” could become a prima ballerina someday. (more…)
Perfect Lil Blends: A Reality Book that Celebrates the Diversity of Multicultural Children is like a series of love letters from parents to their children accompanied by their children’s portraits. Compiled by Luke Whitehead, the founder of Mixed Nation, this is a photo essay of children of mixed heritage from almost every racial, cultural, and ethnic background. Yes, most of these children are exceptionally beautiful however, similar to, but more personal than, Kip Fulbeck’s photo essay book Mixed, each photo of a child is accompanied by a description of the child’s life interests and a note of dedication from the parents to the child, making this more than a vanity book of portraits. (more…)
Heartbreaking, historically informative, and beautifully illustrated, Always An Olivia:A Remarkable Family History is the true family history of scholar and author, Olivia Herron (Nappy Hair) whose family has preserved their Jewish traditions even seven generations removed from the family’s Jewish matriarch. While the story is being told to a granddaughter in 2007 by her great-grandmother, the narrative actually tells the story of their ancestor Sarah who, hundreds of years ago, was the Italian Jewish granddaughter of victims of Jewish pogroms in Spain and Portugal. She is captured by pirates to be ransomed off but saved by another captive with whom she falls in love and sails to the USA to avoid recapture, death or the burning of the homes and businesses of the Jews to whom she was supposed to be ransomed. Still afraid of anti-Jewish violence, Sarah adopts the middle name Olivia instead of using her given middle name, Shulamit.
In the U.S., customs settles Sarah and her husband on the Georgia Islands in the free, black African Geechee community. Sarah and her husband have children and their children marry Geechees. Their descendants continue to practice the Jewish rituals that Sarah remembered (because, the text lets us know, she forgot many) including lighting the Shabbat candles on Friday nights. The women are the keepers of the tradition from being in charge of lighting the Shabbat candles to the legacy of naming a daughter of each generation Olivia or, as Sarah requested, a name that means “peace”. They choose to preserve the original name by naming a girl in each generation “Olivia” after Sarah.
From the opening line in which the girl child Carol Olivia asks her great-grandmother about black U.S.American slavery and is told that her family experienced enslavement in Egypt, witnessed U.S.American chattel slavery, but was not descended from enslaved black U.S.Americans, this biography is an eye opening account of the different histories of blacks and mixed racial heritage people in the U.S. since the 16th century.
Despite the book’s engagement of the heavy subject matter of slavery, racial and religious persecution, kidnapping, family separation, and near identity loss, there is a hopeful tone in the reading, achieved through James Tugeau’s use of light in his dramatic pastel illustrations, the tone of the narrative, and narrative breaks in the relaying of violence to fully describe life in peaceful times. Thus, this story of a resilient family communicates the necessity of remembering family history. Always an Olivia makes it clear that despite their family history of terror, renewal, survival and reinvention, the family of Olivias is proud of, and takes comfort in, their family traditions and heritage.
Recommendation: Highly Recommended; Ages 8-Adult (buy)
Reviewer: Omilaju Miranda
The pastel drawings of I Am a Ballerina are soft and subtle, and the story straightforward and sweet. Not overly pink and frilly, and not going too deep below the surface of a little girl exploring a new passion, this book would be a great read for children considering a new sport or interest.
After watching a ballet performance on her birthday, little Molly decides that she is a ballerina. At first her parents’ response to her leaping around the house in imitation of the gazelle-like picture of a ballerina on her wall is, “Jump down, dear.” When she smears her face with baby-blue eyeshadow and rouge, announcing herself as beautiful as a ballerina, her mother tells her to, “Go wash your face, dear.” Finally, after she nearly knocks some things over, her father concedes: “If you’re going to be a ballerina, maybe you should take some lessons.”
At Madame Cherie’s ballet school, Molly falls and trips, but it’s all part of learning. She practices and practices, and finally dons a merry-go-round horse costume for the ballet performance. The moment at the end of the book that Molly truly feels like she is a ballerina, however, is when her father lifts airplane-style: “It felt like flying. And then I knew…I am a ballerina.”
As seen in some “diverse” children’s books, the author plays it safe, saying nothing about ethnicity or appearance, even though the illustrator makes a point of creating a distinctly mixed family. Molly’s father is Caucasian or mixed, with curly brown hair and a bushy moustache, whereas her mother is Asian-featured. In this case, however, since it’s a nice ballet story that’s realistic and not overly pink and filled with tutus, I don’t mind that Asian-looking Molly isn’t identified ethnically or culturally (for all we know, her father is her stepfather, or she’s adopted).
Recommendation: Recommended: 4-6 years
Reviewer: Yu-Han Chao