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Going Home, Coming Home by Truong Tran and Ann Phong #WeNeedDiverseBooks #Vietnamese #DiverseKidsBooks
Going Home, Coming Home is a bilingual (English-Vietnamese) story book for all readers who feel “home is two different places,” on the left and right sides of their heart. The author, Truong Tran, sets this book in Vietnam and based it on his own upbringing. But I think the story will ring true with any family who has left their first home to make a second home in a different country. (more…)
Poems in the Attic by Nikki Grimes and Elizabeth Zunon #WeNeedDiverseBooks #WeHaveDiverseBooks #DiverseKidsBooks #Blackpoetry #MilitaryKid
Poems in the Attic is the picture book story of a seven-year-old African American girl who, during a visit to her grandmother’s attic, finds a box of poetry that her mother wrote as a child. Her mother’s poems are full with the yearning for an Air Force father who is often away and the wonder of discovering new places as the family moves again and again when her dad returns from deployments.
Nikki Grimes, the author makes several bold, creative choices in the telling of this story. The protagonist is never named and the story has a polyphonic poetic narrative voice. The protagonist’s mother’s voice comes through on the right side of the pages in the Tanka poems the protagonist is reading and the protagonist’s voice is represented on the left side of the pages in free verse poetry. (more…)
First Rain by Charlotte Herman and illustrated by Kathryn Mitter is a wonderful tale of personal growth through family love. When Abby and her parents move to Israel they are sad to have to leave Abby’s Grandma behind. As Abby finds out that Israel is an exciting new place, she tells her Grandma all about her new experiences through letters and telephone calls. Abby’s relationship with her Grandma is poignant without being emotionally heavy. Their love carries the reader through the text and Mitter’s bright illustrations. (more…)
Perfect Lil Blends: A Reality Book that Celebrates the Diversity of Multicultural Children is like a series of love letters from parents to their children accompanied by their children’s portraits. Compiled by Luke Whitehead, the founder of Mixed Nation, this is a photo essay of children of mixed heritage from almost every racial, cultural, and ethnic background. Yes, most of these children are exceptionally beautiful however, similar to, but more personal than, Kip Fulbeck’s photo essay book Mixed, each photo of a child is accompanied by a description of the child’s life interests and a note of dedication from the parents to the child, making this more than a vanity book of portraits. (more…)
Heartbreaking, historically informative, and beautifully illustrated, Always An Olivia:A Remarkable Family History is the true family history of scholar and author, Olivia Herron (Nappy Hair) whose family has preserved their Jewish traditions even seven generations removed from the family’s Jewish matriarch. While the story is being told to a granddaughter in 2007 by her great-grandmother, the narrative actually tells the story of their ancestor Sarah who, hundreds of years ago, was the Italian Jewish granddaughter of victims of Jewish pogroms in Spain and Portugal. She is captured by pirates to be ransomed off but saved by another captive with whom she falls in love and sails to the USA to avoid recapture, death or the burning of the homes and businesses of the Jews to whom she was supposed to be ransomed. Still afraid of anti-Jewish violence, Sarah adopts the middle name Olivia instead of using her given middle name, Shulamit.
In the U.S., customs settles Sarah and her husband on the Georgia Islands in the free, black African Geechee community. Sarah and her husband have children and their children marry Geechees. Their descendants continue to practice the Jewish rituals that Sarah remembered (because, the text lets us know, she forgot many) including lighting the Shabbat candles on Friday nights. The women are the keepers of the tradition from being in charge of lighting the Shabbat candles to the legacy of naming a daughter of each generation Olivia or, as Sarah requested, a name that means “peace”. They choose to preserve the original name by naming a girl in each generation “Olivia” after Sarah.
From the opening line in which the girl child Carol Olivia asks her great-grandmother about black U.S.American slavery and is told that her family experienced enslavement in Egypt, witnessed U.S.American chattel slavery, but was not descended from enslaved black U.S.Americans, this biography is an eye opening account of the different histories of blacks and mixed racial heritage people in the U.S. since the 16th century.
Despite the book’s engagement of the heavy subject matter of slavery, racial and religious persecution, kidnapping, family separation, and near identity loss, there is a hopeful tone in the reading, achieved through James Tugeau’s use of light in his dramatic pastel illustrations, the tone of the narrative, and narrative breaks in the relaying of violence to fully describe life in peaceful times. Thus, this story of a resilient family communicates the necessity of remembering family history. Always an Olivia makes it clear that despite their family history of terror, renewal, survival and reinvention, the family of Olivias is proud of, and takes comfort in, their family traditions and heritage.
Recommendation: Highly Recommended; Ages 8-Adult (buy)
Reviewer: Omilaju Miranda
Monica Brown once again delivers a captivating protagonist in the character of Marisol McDonald whose bilinguality, red-headed, brown-skinned physical traits, and mixed Peruvian-Scottish-U.S.American ethnic heritage are significant influences on her daily life. Marisol McDonald became one of my favorite children’s literature characters in the first book in this series, Marisol McDonald Doesn’t Match. This time around, Marisol is days away from her eighth birthday. While she doesn’t want to choose clothes or a party theme that match, she does want to see her abuelita (grandmother) for her birthday. However, Marisol must deal with the disappointing reality that, despite the fact that she has been doing chores and saving money for two years to pay for her abuelita to visit, a visa for her grandmother to visit the U.S. takes too much time for abuelita to arrive before Marisol’s birthday. With the strategic use of hand made, individualized party invitations to her diverse, multicultural group of friends, Marisol is able to get her mismatched costume birthday party and her abuelita finds a special, and realistic way to make an appearance. The story is told in a rich, first person point of view, which includes a sprinkling of Spanish in the English version and a sprinkling of English in the Spanish version so the reader always feels as if they are living in Marisol’s authentic bilingual world. Palacios’ painted illustrations add to the overall cheer of enjoying this book. And the dual language, English/Spanish telling of the story allow the reader to read the story in both languages in one sitting or read it in English one day and Spanish the next day.
My four-year-old who is rather good at decoding and following a good story didn’t follow all the detailed nuances that go along with Marisol choosing not to match and wasn’t as excited about this story as I was so I put target audience at just slightly older and a better fit for the child who can already read. The quality of the story should make it a favorite for children beyond the age of ten even though they will have already moved on to higher reading levels. For the 5-8 year old reader, new vocabulary is emphasized that will make them excitedly run to the dictionary so they can understand every single word and emotion of this spunky, energetic protagonist. I want to see so much more of Marisol McDonald. Once again, think Madeleine, think Eloise, think Olivia the Pig, think Orphan Annie all updated and in a Peruvian-Scottish U.S.American girl. l I love this character; you and your kids will as well. (buy
Recommendations: Highly Recommended Ages 5-8+
Reviewer: Omilaju Miranda
This first person narrative peppered with words from four different languages and a prominent grandmother character who speaks Korean almost every time she talks, was the 1990 winner of the New Voices, New World contest. Marisol, the protagonist narrates with such open vulnerability that the reader becomes easily attached to the story of her Hawaiian family’s New Year’s eve and her first time making dumplings for the Dumpling Soup, which is the most important first meal of the New Year. I can not say any better than the publisher that “Dumpling Soup is a rich mix of food, language, and customs from many cultures—Korean, Japanese, Chinese, Hawaiian, and haole (Hawaiian for “white”) The distinct traditions and heritage of each culture are not forgotten but play a vital part in this close-knit family’s life.” As cousins, aunts and even the grandmother of various heritages bring their different, ethnically distinct foods, speak their different languages, and use their different recipes and techniques for making dumpling soup to the protagonist’s and then, the grandmother’s home, readers from around the world see the reality of recognizing and loving people with, and for their differences instead of for the ways they are the same.
One of the small details that parents can discuss with their kids is the character Maxie. This is a cousin who the protagonist describes as haole but whose phenotype is Asian. The illustration of this cousin presents a great opportunity to discuss how people think of race and ethnicity differently i.e. how for this Hawaiian family, “white” is Asian, also. Because Marisol tells this story with the joy of participating in a family celebration and the anxiety over participating on a big girl level in that celebration, even as she carries us through the different scenes of the family fun, we never forget that Marisol’s sense of accomplishment and feeling of being valuable within the family depends on the decision her grandmother will make about whether or not to serve the dumplings that Marisol made. Accompanied by emotionally transparent illustrations, this is a beautifully told story that you and your child will enjoy.
Recommendation: Highly Recommended; Ages 4-adult
Reviewer: Omilaju Miranda
Grace has a limitless imagination. Like many of the children who will read this story, she likes to dress up as any character she has ever seen or can imagine from spiders to pirates. When her teacher announces that the class is going to stage “Peter Pan”, Grace wants to play the lead role of Peter despite the fact that two of her classmates tell her she can’t play Peter because he is a boy and he’s white. Grace who lives with her single mother and grandmother goes home sad, and her mom and grandmother assure her that she can play Peter if she wants. Grace memorizes Peter Pan’s lines and Grandma even takes her to the ballet to see an Afro-Trinidadian friend of the family play Juliet in “Romeo and Juliet”. Grace wins the part of Peter and does an amazing job playing the role. Every child with an imagination will connect with Grace. Children of single mothers or parents who get tired but still make time to play will see themselves reflected in Grace’s family. My 3-year-old expected the story to continue so the fullness of the story arc will register more with readers instead of pre-literate children.
Recommendation: Highly Recommended; Ages 6-9
Reviewer: Omilaju Miranda
Hope is on her summer visit to spend time with her aunt Poogee. They are having a great time until they run in to an old friend of her aunt’s who has been away for awhile. The woman asks “Is the child mixed?” as if Hope is a weird object instead of a person, which makes Hope feel sad. Aunt Poogee uplifts Hopes spirits by telling her about her ancestry on both sides of her family and that her parents came together in love. This is a straightforward narrative that addresses implied prejudice and recognizes a child’s emotional response to disapproval is felt even when not verbally expressed. Rich illustrations accentuate the emotional impact of the story.
Recommendation: Highly Recommended; Ages 6+
Book Review by Omilaju Miranda
Mira in the Present Tense is definitely a three-hankie book. This storyline tows the reader on an emotional roller coaster, gently rocking us back and forth through sadness to acceptance, up to excitement and down to understanding, and over and under through past and present. I found myself tired, but at ease, with the characters slowly strolling through my mind.
We meet Mira, the Indian-Jewish protagonist, days before her 12th birthday and just before she joins a writing class and begins her May Day journal. Mira in the Present Tense is organized by dates instead of chapters, just as a journal would be. For the next month, we jump into Mira’s life as she reaches the highs and lows of the normal coming of age milestones- starting her period, her first crush and first heterosexual kiss, finding her own voice, and standing up to her bullies. At the same time, we join Mira as she and her family live with the impending death of her dad’s mum, Nana Josie. With Nana Josie gracefully leading the way, Mira learns that some heartbreaks are necessary if you truly love the person.
The strength of this book is in its characters, with Nana Josie stealing the spotlight. In her own words, “It is bloody hard work dying well,” but Nana Josie indeed does die well with grace and kindness for all who will miss her. The author, Sita Brahmachari, places layer upon layer until each individual is shaped in our minds. Mira at school is almost painfully shy and introspective, relying only on her best girlfriend and later on a boy in her writing class. But with Nana Josie, Mira is uninhibited. Nana Josie lends Mira her creative strength and her unbound love. Pat Print is another character of note. She appears to Mira in the most honest ways at the most unexpected time, almost as if she is Mira’s guardian angel.
Mira is of Jewish and Indian descent, but beyond her name there is not much mention or focus on this fact in the story. I found this quite normalizing as our children of mixed heritage will no doubt identify with Mira for her racial make-up but everyone can identify with Mira for the struggle she is facing in the death of her grandmother. There are two other characters I would like to point out to potential readers. Mira’s crush, Jide, was a Rwandan refugee adopted by refugee camp workers. There are some small details about the atrocities in Rwanda and if children are unaware it might bring up questions. Jide talks about the physical differences between himself and his adopted parents. He also mentions how frustrating and mad it can make him when strangers make intrusive and uneducated comments. Mira’s Aunt Abi has a female partner, who we are introduced to early on. She does not play a main role and honestly, her brief introduction is quite off putting. When Mira writes, “Nana points to Abi, Aunty Mel—who is actually Abi’s girlfriend, but we call her aunty anyway,” I got the feeling that Abi having a female partner was accepted but not advertised or completely ok.
I recommended this book for ages 10-13.
Reviewer: Amanda Setty