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Frances Park and Ginger Park’s picture book, The Have a Good Day Café, tells the story of Mike and his family’s food cart where they sell his favorite American foods like pizza, pretzels, and popcorn. When his Grandma moves from Korea she has trouble adjusting to her new American lifestyle, and Mike becomes frustrated with her, wishing that she wouldn’t “day dream so much about the past.” As the summer progresses Mike’s family encounters too much competition for street food and he and his Grandma work together, ultimately creating the “Have a Good Day Café.” (more…)
Adults may find turkey dry and tasteless, but for Tuyet a turkey is symbolic of being the cultural majority, of fitting in, doing what one is supposed to do. Duck for Turkey Day follows a little Vietnamese American girl, Tuyet, who’s terribly upset her family is having duck for Thanksgiving. What follows is an engaging story of accepting of one’s heritage as well as general diversity.
Immigrants often have to negotiate how to preserve and honor their traditions while allowing their children to grow up American, and this book portrays a matter-of-fact immigrant family that plans on cooking some delicious duck regardless of what their little girl thinks. Some parents may give in to their Americanized kids and cook American food, but as Tuyet finds out, some of her classmates had noodles, enchiladas, or tofu turkey on “turkey day” as well. (more…)
Mommy Far, Mommy Near – An Adoption Story by Carol A Peacock & Shawn Brownell #TransracialAdoption #BirthMother #DiverseKidsBooks
Mommy Far, Mommy Near is a story of adoption told from the perspective of the adoptee—a little girl named Elizabeth who, along with her sister, was adopted from China by a white American family. Illustrated with gently painted images with a dreamy aura, and the story that unfolds is a sort of coming-of-age narrative, as Elizabeth comes to grips with the details and repercussions of her adoption.
Although she has heard the story her whole life – her mother has a book with a silver cover that shows pictures of the process – the book gently reveals her realization that not only are she and her adoptive family of different ethnicities, but that her “mommy far” is an actual person with a family who had given her up for adoption. (more…)
Going Home, Coming Home by Truong Tran and Ann Phong #WeNeedDiverseBooks #Vietnamese #DiverseKidsBooks
Going Home, Coming Home is a bilingual (English-Vietnamese) story book for all readers who feel “home is two different places,” on the left and right sides of their heart. The author, Truong Tran, sets this book in Vietnam and based it on his own upbringing. But I think the story will ring true with any family who has left their first home to make a second home in a different country. (more…)
Lakas and the Manilatown Fish/Si Lakas at ang Isdang Manilatown by Anthony D. Robles #WeNeedDiverseBooks #DiverseKidsBooks #BilingualKidsBooks
The story begins in a realistic manner: Lakas’s father takes him to the Happy Fish Man to buy a fish to make sinigang. But the fish turns out to be a talking fish and escapes from its tank, kissing people along the way and making them fall “dizzy in love.” It kisses a bus driver and takes her bus, kisses a manong and takes his clothes and teeth, all the while chased by Lakas, his father, the Happy Fish Man, and the manong. When everyone falls into the ocean, the fish jumps in and rescues them. That night, the fish returns home with Lakas and his family and they all eat rice, chile and tomatoes (no fish).
An action-filled story showcasing Manilatown and San Francisco buildings and scenery, Lakas and the Manilatown Fish has the familiar repetition and climactic buildup that will certainly make kids say, “Again!” after each reading. The lovely illustrations by Carl Angel add additional character and color to this striking children’s book.
Recommendation: Recommended; ages 6 and up
Reveiwer: Yu-Han Chao
Lakas and the Makibaka Hotel/si Lakas at Ang Makibaka Hotel by Anthony D. Robles #WeNeedDiverseBooks #Diversekidsbooks #BilingualKidsBooks
A hopeful, bilingual English-Tagalog tale about activism and a little boy motivating adults to fight for their rights, Lakas and the Makibaka Hotel is so much more than a mere vehicle for morals, providing musical writing and expressive artwork from cover to cover.
The lines here are filled with vivid metaphors and musicality, such as a sky the color of mangoes, a woman whose face “looked like a tomato,” and one of the first characters Lakas meets sings, “The roof was leaking in my hotel room / and the rain hit my buckets, TICK-A-BOOM! TICK-A-BOOM!”
The illustrations by Carl Angel make each page an explosion of color, with endearing depictions of working class characters and the little boy, while the rich landlord wears a hideous outfit of green thousand dollar bills.
Lakas gives all his change to the men singing or dancing in the street, and even surrenders his lucky dime to the rich landlord in hopes of changing his mind about evicting Lakas’s new friends, the tenants about to be displaced. Lakas organizes the tenants in a protest, and like the tenants of the Trinity Plaza Apartments in San Francisco in 2002, they win their battle.
Recommendation: Recommended; ages 6 and up
Reviewer: Yu-Han Chao
In Breadcrumbs, Anne Ursu has penned a lively, wistful tale that gets at so much of the poignancy that is being a 10-year-old. This is a moving story that offers a modern-day account of Hans Christian Andersen’s “The Snow Queen.” In Ursu’s version, Hazel, a ten-year-old Indian-American girl with white (adoptive) parents is best friends with Jack, the boy next door until Jack mysteriously changes. The adults around them chalk up this change to typical pre-teen turmoil: it’s not unusual for girl–boy friendships to become awkward. But the reader can feel Hazel’s sadness. It’s hard to grow up, it’s hard to change and watch others change. Hazel is caught between wanting to fit in and wanting to keep her special friendship with Jack the way it is. At its heart, this is a story about how we can hold onto our real selves even as we change along with our friends. (more…)
When I heard Sita Brahmachari had written a sequel to Artichokes Hearts (Mira in the Present Tense) I could not wait to get my hands and eyes on it. Like a memorable character does, Mira had gone on living in my mind and I was excited to see where her creator had taken her. But while Brahmachari’s second novel does continue to focus on Mira and includes character references from her previous book it did not feel like a sequel or a continuation from the first novel. So while it did not satisfy my curiosity, it does mean this book can stand on its own. A reader can begin with Jasmine Skies and not feel lost.
Jasmine Skies reintroduces the reader to Mira Levenson at the age of 14. After the passing of her grandfather, family ties were tenuously rekindled and Mira is on the way to Kolkata, India to meet her grandfather’s side of the family for the first time. In her bag she has letters taken without permission from her mother. Mira believes these letters hold the clues to discover the reason her grandfather never returned to India and why Mira’s mother and her same aged cousin, Anjali, stopped speaking. Despite the strained relationship, Mira is excited to be staying with Anjali and her daughter, Priya for three weeks. She is excited to meet members of her family for the first time and to get to know Kolkata, the place her grandfather told her stories about all her her life.
As no father is ever mentioned or portrayed, Little Baby Buttercup and her mother seem to be a single parent family–a happy, adorable one. The rhymed lines by Linda Ashman and sweet illustrations by You Byun make this a pleasure to read: “Little Baby Buttercup, look how fast you’re growing up! Every day brings something new—lucky me, to be with you.”
From morning to evening, Baby Buttercup eats messily at her highchair, builds block towers, goes to the park, plays with a dog, hides from the rain, reads bedtime stories with Mommy, and (more…)
The story begins with three old men knocking at the door to tell the young narrator’s family that they have seen ghosts in the neighboring field. This tale, as explained on the book jacket, is based on an experience of the author’s ancestor, and takes place in a Japanese American farming community in the 1920s. The body of the story provides no explanation of the time and place, and the vague setting might not grab or hold the attention of children who are looking for something more relatable. What may engage them is the comic flavor of the three old men, referred to as The Troublesome Triplets, and the scared feeling evoked by the ghosts they describe. The suspense builds as the narrator and his father go out to the neighbor’s field to investigate. (more…)